THE GODS 1999 MAXIMS / WIGAN ENGLAND
The Gods 1999 ..

Saturday & Sunday, November 20th-21st '99

This year's Gods was once again held at Maxims nightclub in Wigan (England). With numbers attending steadily growing year on year, the organisers decided to push the boat out and make GODS ’99 a two-day event.
The first thing which struck me was the size of the crowd, much larger than any of the previous Gods. The fact that people had come from all over Europe, America and Japan indicates how this event has heightened in profile.

Full reviews of both days follow now
Day 1 is below or click now to Day 2's reviews ..

Day 1 (Sat 20th Nov)

AGE OF REASON
To get things underway "Age Of Reason" took to the stage.
Not being too familiar with their material (mainly as they are yet to record an album) it was a question of leaving it up to their performance on stage before passing judgement. Not helped by a poor sound, the band muddled through a competent if not memorable set, it’s never easy when you’re first up.
First up, Age of Reason ..
   
NEWMAN
"Newman" had a little more to offer with a couple of albums in the bag. Unfortunately, the poor sound did frontman Steve Newman no favours. Luckily the partisan crowd helped to pull the band through a good set, albeit A.O.R by numbers, with "One Step Closer" being the stand out track.
Norway .. NORWAY
American act "Norway" were next and soon became victims of the poor sound; the main problem being it was too loud for the size of the venue.
... As fans of melodic rock we thrive on harmonies but so far they were all lost. For this reason I thought it was a good time to hit KFC and so I left in the hope "Shotgun Symphony" would have it all sorted on my return.
SHOTGUN SYMPHONY
The good news is that "Shotgun Symphony" did get the soundman to tone it down and as a result were able to do their songs justice. With the bulk of their set coming from their debut and new "Sea Of Desire" albums, they proved they were back on track after two poor album releases. Indeed, with guitar strapped in place, Tracy White and Co. performed one of the songs of the Gods ’99 in "Broken Promises". The new material sounded good and "Believe In Me".
... I found myself humming for some time after.
Shotgun Symphony, and inset: Tracey White
   
Dante Fox .. DANTE FOX
Just as I was getting warmed up "Dante Fox" hit the stage.
Opinions vary – they’re boring to watch and so they’re rubbish – to Sue Willet’s voice makes them the best band in the world. The truth lies somewhere in between but on today’s evidence they’re better than most would admit. First of all they were brave enough to lower the decibel level which produced the sound of the day.
Although they used backing tapes, Sue’s fabulous voice does lift the band especially on "Over You" and the rest of Dante Fox work their socks off!
 
MILLENIUM
After hearing the awesome "Angelfire" I was really looking forward to seeing "Millennium". With ex-Vagabond vocalist Jorn Lande replacing J. Todd Plant, there was always going to be problems in delivering the goods. Not that Mr. Lande is a poor singer but Mr. Plant is an exceptional one. It didn’t really matter as the sound was probably at its skull crushing worst. It defies all logic as "Millennium" are very competent musicians playing quality songs all of which rely on harmonies. So why kill the performance by turning up the volume to a level the building could hardly cope with – never mind our eardrums.
From Millennium ..
   
TED POLEY
Thankfully "Ted Poley" provided melody not manowar!
Although not a huge fan of "Bone Machine", Ted’s opening renditions of "Feel It", "Life And Times" and "Missing You" came over well. It was the obvious inclusion of a few classics from his "Danger Danger" era, which lifted the crowd.
"I Still Think About You", "Don’t Walk Away" and "Naughty Naughty" helped set Ted apart from everything that had gone before him.
The man has been there and done it and his stage presence suggested he was playing the Hollywood Bowl – not Maxims. The set was finished off with Toto’s "Hold The Line", which resulted in a frenzy of air punching.
.... Can’t wait for the new album!!
 
TWO FIRES
Having been put in the mood by Ted Poley’s set, it was now time for my personal highlights of the day. I’ve always been a Kevin Chalfant fan, from his "707" days to his easy listening solo release. However, there is no dispute over Kevin’s finest hour being The Storm’s two journeyesque releases. Along with Josh Ramos, also ex Storm, their new project "Two Fires" revealed their class. Not withstanding a few sound problems early in the set we were treated to the best songs of the whole event.
Two Fires ..
Kevin Chalfont with Mick "You Keep Me Waiting" and "Show Me The Way" from The Storm’s first album were intermingled with new material, "Summer Of Love" and "Never Stop Loving You" being the pick of the bunch. "I’ve Got A Lot To Learn About Love" closes the set and left everyone wanting more. .... We’ll have to wait for the "Two Fires" debut which Mr Chalfant is producing himself to give a big sound (his words).
 
BOB CATLEY
Time for today’s headliner and backed by "Emerald Rain" again, Bob Catley played one of the best sets I’ve seen him do in years.
His voice wasn’t 100% but the songs made up for that.
New material, such as "Medusa" from the latest "Legends" release, came over well but hearing timeless gems such as "Start Talking Love" and "On A Storytellers Night" made me feel fifteen again! That’s a compliment to Bob Catley – as long as I’ve followed rock music there has been Bob Catley.

Bob Catley with Mick

Never changing to suit current trends, Bob just produces quality music which stands the test of time and he still cuts it live.
.... They say Cliff Richard is the Peter Pan of music – who are they trying to kid?

The Gods review by Jay - Photo’s by Dav - and some courtesy of the bands.

 

Go to Day 2 ....

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